1819-1877 French Gustave Courbet Locations was a French painter whose powerful pictures of peasants and scenes of everyday life established him as the leading figure of the realist movement of the mid-19th century. Gustave Courbet was born at Ornans on June 10, 1819. He appears to have inherited his vigorous temperament from his father, a landowner and prominent personality in the Franche-Comte region. At the age of 18 Gustave went to the College Royal at Besancon. There he openly expressed his dissatisfaction with the traditional classical subjects he was obliged to study, going so far as to lead a revolt among the students. In 1838 he was enrolled as an externe and could simultaneously attend the classes of Charles Flajoulot, director of the ecole des Beaux-Arts. At the college in Besançon, Courbet became fast friends with Max Buchon, whose Essais Poetiques (1839) he illustrated with four lithographs. In 1840 Courbet went to Paris to study law, but he decided to become a painter and spent much time copying in the Louvre. In 1844 his Self-Portrait with Black Dog was exhibited at the Salon. The following year he submitted five pictures; only one, Le Guitarrero, was accepted. After a complete rejection in 1847, the Liberal Jury of 1848 accepted all 10 of his entries, and the critic Champfleury, who was to become Courbet first staunch apologist, highly praised the Walpurgis Night.  Related Paintings of Gustave Courbet :. | Rocks at Mouthier | Woman | Baigneuse | Bather | Headspring |
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Filippo Brunelleschi
Italian Early Renaissance Sculptor and Architect, 1377-1446,Florentine architect and engineer. Trained as a sculptor and goldsmith, he turned his attention to architecture after failing to win a competition for the bronze doors of the Baptistery of Florence, having tied with Lorenzo Ghiberti. He worked out the laws of linear perspective (later codified by Leon Battista Alberti). By the early 1420s Brunelleschi was Florence's most prominent architect. His major work, the octagonal dome of the cathedral (1420 ?C 36), was constructed with the aid of machines of his own invention. The Medici family commissioned him to design the (old) sacristy and basilica of San Lorenzo (begun 1421), considered keystones of the early Renaissance; he adhered to the conventional format while adding his own interpretation of antique designs for capitals, friezes, pilasters, and columns. His later monumental works foreshadowed the strong profiles and massive grandeur of the work of Alberti and Donato Bramante.
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Dora Carrington
British Painter, 1893-1932 English painter and decorative artist. Daughter of a Liverpool merchant, she was brought up in Bedford. She trained at the Slade School of Fine Art in London where she met John Nash, who aroused her interest in wood-engraving, and Mark Gertler, whose powerful figure paintings influenced her own approach to portraiture. She rejected Gertler as a lover and set up home with the homosexual essayist and biographer Lytton Strachey (1880-1932), first at Tidmarsh Mill, near Pangbourne, Berks, then at Ham Spray, between Newbury and Hungerford, Berks. In 1921 she married Ralph Partridge, living with him and Strachey in a m?nage ? trois, surrounded mainly by literary friends and receiving little encouragement to exhibit. She turned instead to decorative work, emulating Vanessa Bell and Duncan Grant but in a style more native in inspiration and more naive. She designed tiles and inn signs, experimented with painting on glass and tinfoil, decorated furniture and designed the library at Ham Spray.